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Ted Noten - Ubiquist (Hardcover): Gert Staal, Jennifer Allen Ted Noten - Ubiquist (Hardcover)
Gert Staal, Jennifer Allen
R1,547 R1,244 Discovery Miles 12 440 Save R303 (20%) Ships in 10 - 15 working days
Thonik: Why We Design (Paperback): Gert Staal, Aaron Betsky, Shaughnessy, Thonik Thonik: Why We Design (Paperback)
Gert Staal, Aaron Betsky, Shaughnessy, Thonik
R1,034 R711 Discovery Miles 7 110 Save R323 (31%) Ships in 12 - 17 working days

Everybody is a designer! But why? Why do we color, organize, and form the world around us - and why do we call that a profession? In this book, Thonik, an Amsterdam-based studio led by lauded designers Nikki Gonnissen and Thomas Widdershoven, researches eleven personal reasons why they design - from the need to create impact to a constant search for independence; from the benefits of systems to the urgency of play. Why We Design looks back on twenty-five years of design practice and speculates on the future of graphic design.

On Camp Ceramics and Other Diversions - Daniel Kruger. Ceramics 1984-2005 (English, German, Hardcover): Berthold Reiss, Gert... On Camp Ceramics and Other Diversions - Daniel Kruger. Ceramics 1984-2005 (English, German, Hardcover)
Berthold Reiss, Gert Staal, Ernst Van Der Wal
R1,409 R1,143 Discovery Miles 11 430 Save R266 (19%) Ships in 12 - 17 working days

Daniel Kruger (b. 1951), widely known as a jewellery artist, presents an overview of his ceramic works, featuring 230 pieces created over twenty years. Classic examples - tulip and lidded vases, delftware and dinner services - are familiar references, which Kruger decorates with images of footballers, homoerotic nudes or casts of twigs or bones. Worlds collide, revealing our preconceptions regarding conventions that provide a manipulated view of reality. There is less interest in the spectacular; Kruger's choice of images however, leads to unexpected, provocative combinations of form with decoration. In a continual process of artistic acquisition, new interpretation and appropriation, Kruger explores the interstice between historical archetypes and kitsch within European ceramic history.

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